Where Do Novel Ideas Come From?

Behind the Pages

USUALLY, BY THE TIME A NOVEL IS RELEASED the author has journeyed so far down a story path he’s forgotten the fork in the road that led him there. Until someone asks him. Such was the case for me the other day when a friend inquired about the origins of my latest supernatural suspense novel, Behold

I had to do a little time traveling (figuratively, of course) to remember that the genesis for Behold was actually a mix of things I wanted to do and things I wanted to say. 

THINGS I WANTED TO DO — 

For some time I had wanted to write a time travel story with scenes both in the present and in the past. Michael Crichton’s Timeline  was one of the books that inspired me. But I’m not a sci-fi writer so I needed a time-traveling vehicle other than mechanical for my character. 

The second thing I’d wanted to do was craft a story that featured mankind’s spiritual nature which is so often overlooked by the crush of advertisements of all things related to the body (fashion, cosmetics, body size and shape, food, medicines, body and breath odor) and stories of physical drama (serial killers, sexual attraction, technology, politics, and all manner of life-threatening danger). 

Pierre Teilhard de Chardin said it, oh so well: We are not human beings having a spiritual experience, but spiritual beings having a human experience. This quote became the theme for Behold

Then, there were — 

THINGS I WANTED TO SAY —

I am fascinated by the mystery of exploring a universe that is forever out of reach. Despite our baby steps in space exploration, the size of the universe is mind-numbingly prohibitive to earthly travelers who are apparently prevented from traveling faster than light. Add to that the fact that the universe is an incredibly hostile environment to humans on so many levels. 

But what if we could explore the universe without taking our bodies with us? Or go back and forth in time? Ah! Here’s where the story begins . . . 

And finally, while I have learned and taught the interpretation of end times as portrayed in the popular Left Behind series, I’m enough of a student of God and history to know that it probably won’t happen that way. Why? Because God is always surprising us. I am reminded of the Jewish scholars, experts in Messiah theology, who missed completely the coming of Christ because he did not fit their theology. I wanted to write a story that reminded us not to be cocky when it comes to predicting what God will do in the future. 

All these things came together for me resulting in Behold, the story of a boy who is thrown out of his body, back in time, and discovers the wondrous working of God in history that culminates in the end times. 

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To learn more about Behold   CLICK HERE 

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An Interview With Jack Cavanaugh

 

Jack Cavanaugh Talks About Revival, Christian Fiction, Family

By Randall Murphree
June 22, 2006

(AgapePress) – Novelist Jack Cavanaugh is co-author with Dr. Bill Bright of “The Great Awakenings” series from Howard Publishing. Randall Murphree interviewed Cavanaugh for insights regarding that series and other subjects as well.

AgapePress: How did your path cross Bill Bright’s path? Coincidence or providence?

Jack Cavanaugh: A desire for national revival brought Dr. Bright and me together. He was wanting to collaborate with a novelist on the topic of significant historical revivals in American history. Having already written an American history series, I had always wanted to write novels set during times of revival. When Dr. Bright and I met, it became apparent to us that God had brought us together in answer to both our prayers.

For two days we prayed side by side on our knees and talked about history and story plot ideas, all the while knowing that unless God intervened in dramatic fashion, Dr. Bright would not live long enough to see the release of the first book. This four-novel series, “The Great Awakenings,” is God’s answer to our prayers.

AP: What is the potential of fiction to encourage and challenge believers? To reach the lost?

JC: Stories have the ability to reach people on several levels: intellectual, visual, and emotional. This triple punch is a powerful method of teaching spiritual truth. A well-told story contains a lesson that helps us to see things clearly and motivates us to embody the truth in our own lives. I have witnessed the power of stories — first as a preacher, now as a writer — to teach that God’s ways are always best.

People who would never step foot in a church to hear me preach will read my novels. As a novelist, my ministry has expanded geographically beyond the local pastorate to a ministry that spans the globe. And because it’s the printed word, my ministry will continue beyond my lifetime.

AP: How well is Christian fiction doing as a means of spreading the Gospel?

JC: Novels are uniquely suited to spread the Gospel message. In real life, things happen that don’t make sense. Not so in novels. In a story, everything has to make sense; a character’s motivation has to be believable, a character’s actions always have consequences. What a perfect fit for the Christian message that teaches we will all give an account for our actions.

One of the standard themes of fiction is good vs. evil. How many stories — both secular and Christian — have explored this theme? Again, we have a perfect fit for the Christian message. Isn’t the belief that good will triumph over evil the core of our preaching? This standard theme in fiction mirrors what the Bible has been telling us for centuries.

AP: What are the problems you see with Christian fiction? How about encouraging signs?

JC: At present, the problem I see is in the area of quality of fiction. I include myself in this assessment. In times past, Christian writers were often among the greatest writers of their time — Milton, for example. His epic poem Paradise Lost is a masterpiece.

We’re in a rebirth of Christian fiction. When I first wanted to write fiction 25 years ago, Christian publishers told me flatly that it doesn’t sell. Things have changed. Consequently, we’re in the infancy of a re-emergence of Christian fiction. It’s going to take time to grow quality Christian novelists. Think of it in terms of another art form — music. A person doesn’t become a violin virtuoso overnight. The same holds true with Christian fiction. There’s some good Christian fiction being produced today, but there’s plenty of room for improvement. In time, I think we’re going to see some real masterpieces.

AP: From your own work, what are your favorite titles?

JC: That’s like asking which of my three children is my favorite. I’m not sure I can give you favorite titles, but I can give you some memories attached to various titles. The Puritans will always have a special place in my heart because it was my first novel. Beyond the Sacred Page was my troubled child, born out of personal heath problems, but is one of my strongest stories. Postmarked Heaven is different from all the others, a fictional devotional book, not a novel. “Songs in the Night” series are my triplets, one story in three volumes. Death Watch is my first contemporary suspense. And “The Great Awakenings” series is special to me because I was privileged to co-author with a man who has had a tremendous impact on 20th-century Christianity.

AP: Who are some of your role models, mentors or favorite writers in Christian fiction?

JC: My mentors are largely historical. Some people learn by doing, others learn by listening, I learn by reading. My library is probably my most precious possession. Most recently I have been learning how to communicate spiritual truth through fiction by studying the works of Dante Alighieri (The Divine Comedy) and John Milton (Paradise Lost). I know that sounds like boring English Lit classes, but you have to remember that in their day, these works were bestsellers. These writers knew their audiences, worked their craft, and produced epic stories that were not only popular in their day, but have proven to be of value over hundreds of years. As a writer, that’s my goal — to produce popular fiction that stands the test of time.

AP: What are a few of your favorite Christian novels?

JC: I’m indebted to Brock and Bodie Thoene for blazing the historical fiction trail in the Christian market, and to Frank Peretti’s This Present Darkness for expanding the market. Since I write historical fiction and am now branching out to the supernatural suspense genre, it makes sense that these authors are counted among my favorites.

AP: Tell us a little about your family.

JC: I met Marni at Azusa Pacific College where we fell in love. We were engaged for two years before we got married and then waited five years before we had children. I say this because I believe that those early years with just the two of us were formative in a relationship that is still happy 34 years later.

We have three children, all grown now. All of them are talented artistically. Elizabeth, 26, lives in Iowa and is a gifted writer; expect to see a novel from her within the next couple of years. Keri, 24, is a police dispatcher with a wonderful singing voice; she does musical theater here in San Diego. And Sam, 22, lives in Los Angeles, works at Disneyland as the Mad Hatter by day and performs in musical theater productions at night.

AP: What are some of your family’s favorite activities together?

JC: Laughing. Both my immediate family and extended family spend a good deal of time laughing. We get together for holidays and birthdays. Brothers, sisters, cousins, aunts, uncles, all of us get along famously. We play games, and there is always a lot of laughing.


Randall Murphree, a regular contributor to AgapePress, is editor of AFA Journal, a monthly publication of the American Family Association.

 

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