Why I Tell Hero Stories

Arthur C Morgan AvatarEvery so often a person comes along who alters the course of your life and you can honestly say, "Had I never met him, I wouldn't be who I am today."

For me, Joseph Campbell was such a person.

A little background is in order—

The summer of '64 I sprained my ankle playing basketball and the doctor ordered me to stay off my feet for a week, the equivalent of solitary confinement for a boy of twelve.

To help me pass the time a friend loaned me Edgar Rice Burroughs' sci-fi Martian trilogy, and I escaped my sofa prison for the world of John Carter, a Civil War veteran who was inexplicably transported to Mars where he became a renowned warrior and fell in love with the beautiful Martian princess Dejah Thoris.

It was the best week of my young life.

From then on I couldn't get enough of hero stories. I devoured sci-fi and fantasy novels and comic books — The Lord of the RingsThe Chronicles of Narnia, Superman, Spiderman, Flash, Green Lantern.

By this time it was the sixties and early seventies, a time of anti-heroes, and my friends in high school were reading Catcher in the Rye and watching movies like Midnight Cowboy, M*A*S*H, One Flew Over the Cuckoo's Nest, and The Graduate. Heroes were out of vogue.

Besides, I was of the age when young men were supposed to put away childish things, so I trashed my comic books and sci-fi novels. But the craving to walk with heroes never went away.

Then, in my early twenties, to get my hero story fixes I turned to literature. Don Quixote. King Arthur and the knights of the round table romances. ParzivalThe Green Knight. But even then, reading about quests and holy grails and courtly love wasn’t something a young man who was just starting a family could talk about openly without people saying, “O, grow up.”

In 1977 Star Wars premiered and going to the movies was fun again. It was while reading an article on the making of Star Wars that I first heard of Joseph Campbell. Director George Lucas credited Campbell’s book, The Hero With a Thousand Faces, with shaping the Star Wars storyline.

The basis of the book is that for thousands of years mankind has been telling and retelling virtually the same hero story and that the telling has shaped nearly every culture in the world.

Here’s what I heard: “Hero stories aren’t just for kids.”

I became a self-enrolled student of Joseph Campbell, reading his books, listening to his lecture videos. And while figuratively sitting at the feet of this respected academic mythologist, not only did Joseph Campbell teach me about the world’s need for mythical heroes, he became my hero.

It happened while watching the PBS production, The Power of Myth, a series of interviews with Bill Moyers. Not only were the interviews informative, but Campbell’s passion for his subject and his spirituality burst from the screen. I went from wanting to learn what Joseph Campbell taught to wanting to be the kind of man Joseph Campbell embodied.

Now, I’m approaching my sixth decade on this earth and I tell hero stories for a living. I’m following my bliss because Joseph Campbell taught me that walking with heroes is a time-honored and noble lifestyle.

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Happiness is Productive

Shawn Achor: The happy secret to better work

 FOR MORE: Click Here to read my blog, “The Law of Happiness”

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An Interview With Jack Cavanaugh

 

Jack Cavanaugh Talks About Revival, Christian Fiction, Family

By Randall Murphree
June 22, 2006

(AgapePress) – Novelist Jack Cavanaugh is co-author with Dr. Bill Bright of “The Great Awakenings” series from Howard Publishing. Randall Murphree interviewed Cavanaugh for insights regarding that series and other subjects as well.

AgapePress: How did your path cross Bill Bright’s path? Coincidence or providence?

Jack Cavanaugh: A desire for national revival brought Dr. Bright and me together. He was wanting to collaborate with a novelist on the topic of significant historical revivals in American history. Having already written an American history series, I had always wanted to write novels set during times of revival. When Dr. Bright and I met, it became apparent to us that God had brought us together in answer to both our prayers.

For two days we prayed side by side on our knees and talked about history and story plot ideas, all the while knowing that unless God intervened in dramatic fashion, Dr. Bright would not live long enough to see the release of the first book. This four-novel series, “The Great Awakenings,” is God’s answer to our prayers.

AP: What is the potential of fiction to encourage and challenge believers? To reach the lost?

JC: Stories have the ability to reach people on several levels: intellectual, visual, and emotional. This triple punch is a powerful method of teaching spiritual truth. A well-told story contains a lesson that helps us to see things clearly and motivates us to embody the truth in our own lives. I have witnessed the power of stories — first as a preacher, now as a writer — to teach that God’s ways are always best.

People who would never step foot in a church to hear me preach will read my novels. As a novelist, my ministry has expanded geographically beyond the local pastorate to a ministry that spans the globe. And because it’s the printed word, my ministry will continue beyond my lifetime.

AP: How well is Christian fiction doing as a means of spreading the Gospel?

JC: Novels are uniquely suited to spread the Gospel message. In real life, things happen that don’t make sense. Not so in novels. In a story, everything has to make sense; a character’s motivation has to be believable, a character’s actions always have consequences. What a perfect fit for the Christian message that teaches we will all give an account for our actions.

One of the standard themes of fiction is good vs. evil. How many stories — both secular and Christian — have explored this theme? Again, we have a perfect fit for the Christian message. Isn’t the belief that good will triumph over evil the core of our preaching? This standard theme in fiction mirrors what the Bible has been telling us for centuries.

AP: What are the problems you see with Christian fiction? How about encouraging signs?

JC: At present, the problem I see is in the area of quality of fiction. I include myself in this assessment. In times past, Christian writers were often among the greatest writers of their time — Milton, for example. His epic poem Paradise Lost is a masterpiece.

We’re in a rebirth of Christian fiction. When I first wanted to write fiction 25 years ago, Christian publishers told me flatly that it doesn’t sell. Things have changed. Consequently, we’re in the infancy of a re-emergence of Christian fiction. It’s going to take time to grow quality Christian novelists. Think of it in terms of another art form — music. A person doesn’t become a violin virtuoso overnight. The same holds true with Christian fiction. There’s some good Christian fiction being produced today, but there’s plenty of room for improvement. In time, I think we’re going to see some real masterpieces.

AP: From your own work, what are your favorite titles?

JC: That’s like asking which of my three children is my favorite. I’m not sure I can give you favorite titles, but I can give you some memories attached to various titles. The Puritans will always have a special place in my heart because it was my first novel. Beyond the Sacred Page was my troubled child, born out of personal heath problems, but is one of my strongest stories. Postmarked Heaven is different from all the others, a fictional devotional book, not a novel. “Songs in the Night” series are my triplets, one story in three volumes. Death Watch is my first contemporary suspense. And “The Great Awakenings” series is special to me because I was privileged to co-author with a man who has had a tremendous impact on 20th-century Christianity.

AP: Who are some of your role models, mentors or favorite writers in Christian fiction?

JC: My mentors are largely historical. Some people learn by doing, others learn by listening, I learn by reading. My library is probably my most precious possession. Most recently I have been learning how to communicate spiritual truth through fiction by studying the works of Dante Alighieri (The Divine Comedy) and John Milton (Paradise Lost). I know that sounds like boring English Lit classes, but you have to remember that in their day, these works were bestsellers. These writers knew their audiences, worked their craft, and produced epic stories that were not only popular in their day, but have proven to be of value over hundreds of years. As a writer, that’s my goal — to produce popular fiction that stands the test of time.

AP: What are a few of your favorite Christian novels?

JC: I’m indebted to Brock and Bodie Thoene for blazing the historical fiction trail in the Christian market, and to Frank Peretti’s This Present Darkness for expanding the market. Since I write historical fiction and am now branching out to the supernatural suspense genre, it makes sense that these authors are counted among my favorites.

AP: Tell us a little about your family.

JC: I met Marni at Azusa Pacific College where we fell in love. We were engaged for two years before we got married and then waited five years before we had children. I say this because I believe that those early years with just the two of us were formative in a relationship that is still happy 34 years later.

We have three children, all grown now. All of them are talented artistically. Elizabeth, 26, lives in Iowa and is a gifted writer; expect to see a novel from her within the next couple of years. Keri, 24, is a police dispatcher with a wonderful singing voice; she does musical theater here in San Diego. And Sam, 22, lives in Los Angeles, works at Disneyland as the Mad Hatter by day and performs in musical theater productions at night.

AP: What are some of your family’s favorite activities together?

JC: Laughing. Both my immediate family and extended family spend a good deal of time laughing. We get together for holidays and birthdays. Brothers, sisters, cousins, aunts, uncles, all of us get along famously. We play games, and there is always a lot of laughing.


Randall Murphree, a regular contributor to AgapePress, is editor of AFA Journal, a monthly publication of the American Family Association.

 

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Tebow and Tebowing

Washington Tebow

This post appeared in the San Diego Union-Tribune op-ed page, Sunday Jan. 1, 2012. 


A man on his knees in prayer is a powerful image

SO WHEN FOUR STUDENTS at Riverhead High School in Long Island, N.Y. were suspended after Tebowing in the hallway — striking a pose for which Denver Broncos quarterback Tim Tebow is known — their suspension gained national attention.

What are we to make of Tim Tebow and the young men who are emulating him?

If you were a friend or parent of one of the four suspended students, what would you say to him?

Photos of Tim Tebow bowing in the end zone have sparked a nationwide debate. Let’s put it in perspective. Reporters, analysts, commentators, sports figures, educators, and apparently young men in high school, are not talking about last Sunday’s sermon. They’re talking about what Tebow did in the end zone. It’s the picture is worth a thousand words proverb come to life.

Personally, I don’t care much for end zone celebrations. I like what former Notre Dame football coach Lou Holtz used to tell his boys about end zone behavior — act like you’ve been there before.

But Tebow has chosen the end zone as a place to project an image of his faith and I respect his choice. It’s a powerful image.

Images shape our identity

When I was growing up, Norman Rockwell’s paintings graced the covers of the Saturday Evening Post. Month after month his paintings stamped on my mind images of everyday public displays of personal courage and acts of piety. Norman Rockwell’s America became my America.

Norman-rockwell-prayer

At Mt. Vernon, the home of George Washington, there hangs an iconic image that is sacred to many Americans. The Prayer At Valley Forge by Arnold Frieberg is viewed by millions of Americans every year. It was recently appraised for $12 million.

In the painting, General Washington is down on one knee, similar to the pose Tebow assumes in the end zone. There is one striking difference between them. Washington is alone. Tebow is in a stadium surrounded by thousands of people. Which begs the question—

Should a person’s personal beliefs be kept private?

Washington didn’t think so. His presidential speeches make unapologetic references to our nation’s dependence on God for our existence. And when he took the oath of office, he struck a pose with his hand on the Bible, a pose emulated by most presidents after him.

What Washington did after he took the oath is not as well known.

He kissed the Bible.

Now there’s an image that would make the front pages today.

While I’m not suggesting that we equate the accomplishments of a rookie NFL quarterback with those of a founding father, Washington and Tebow have this in common — they are both men with deep personal convictions.

And I would add this: Tim Tebow’s actions off the field have demonstrated that his end zone behavior means more to him than six points in a game.

What would I say to the four suspended high school students?

I would impress upon them that assuming a public posture of prayer is a powerful statement of faith, and that what they do after they get up is equally important. People will be watching to see if the man matches the image.

According to the Old Testament, while living in exile Daniel was widely known as a man who bowed his knees in prayer three times a day. The biblical account also states, “Then this Daniel was preferred above the presidents and princes, because an excellent spirit was in him; and the king thought to set him over the whole realm.” (Daniel 6:3, KJV)

What would I tell the suspended students and others who would follow their example? I’d tell them when it comes to bowing in prayer, “If you’re not doing it in private, don’t do it in public.”


 

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A Hideous Beauty – Cavanaugh

KW I Thumbnail

Jack reads selected passages
from his favorite books

Unscripted. Unrehearsed. Unedited. 


TODAY’S READING 

Kingdom Wars: A Hideous Beauty, Jack Cavanaugh, 2007. 

 

Play
 

 If you’re not having fun while writing a novel, you’re doing something wrong. Jack reads from two scenes he had fun writing.

 

TODAY IN FROM MY LIBRARY:

Two scenes: When Grant Austin returns to his old high school, he is surprised when all his adolescent insecurities come flooding back. Later, in a hotel room, Grant is spooked by a strange coincidence of television programming.

 

Interested in reading more? Add Kingdom Wars to your library!
Click here to buy it. 

 


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